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For years I accepted on faith that the best album ever made was Sgt Pepper’s Lonely Hearts Club Band. While that album remains a stunning example of the summer of love, the true trinity of the Beatles oeuvre are Rubber Soul, Revolver and Abbey Road–with the nod going to Abbey Road as the Beatles final studio album.

The only thing I knew about The Beatles’ “Abbey Road” was the goofy album cover where all four band members are crossing the street. Now I consider it one of the best, most innovative rock ‘n’ roll albums ever released. And I mean innovative and fresh by today’s standards, not just the standards of the late 1960s. These guys practically invented the art of making melodic rock music, and they certainly weren’t afraid to experiment with sounds and ideas.

“Abbey Road (Remastered)” offers something for everybody; a 90-year-old senior citizen could enjoy this album as easily as a 5-year-old kid. The sounds and tastes of this record are all over the map. For instance, whereas “Come Together” is a serious rock anthem with a heavy message, songs like “Maxwell’s Silver Hammer” (Lennon-McCartney) and “Octopus’s Garden” (Ringo Starr) are silly pop nuggets. Romance is also present, like on George Harrison’s beautiful “Something” (which includes a swooning string section), and on the dramatic “Oh! Darling,” where Paul McCartney belts out the lyrics in his most sincere tone. Overall, there’s a boyish, innocent quality to these songs, especially lyrically, yet a sophistication to the sound and musical development. In short, the Beatles, as well as their producer, George Martin, possessed the resources, talent, musicality and what must have been a sense of finality to create one of the best records ever.

Check Out this…so groovy

Though the Beatles were on their way out with “Abbey Road,” the seven-minute-plus “I Want You (She’s So Heavy)” is reminiscent of another British band on their way in back in 1969, Led Zeppelin. The song features longing lyrics and an indelibly heavy guitar riff in the style of Jimmy Page before he became a household name. Conversely, songs like “Because” and “Sun King” are positively airy and lightweight, unbelievably catchy. The Beatles thrived on hazy, dreamy songs that featured their head-in-the-cloud choruses and melting melodies, making it all seem as easy as a summer breeze.

Beginning at “You Never Give Me Your Money,” the album transforms into a hot-potato medley of one sublimely melodic song after another, a shockingly creative assembly line of tracks that magically blend together, thanks mostly to producer George Martin. It’s comparable to a movie score with words or a spur-of-the moment “Best of” mixture. McCartney and Lennon deserve the lion’s share of credit for creating this 20-minute joyride, on the second side of one album. Despite the inevitable end of the band, the guys sound excited, joyful, happy to be alive, inspiring, a little crazy and willing to experiment on their way out.

As the music on “Abbey Road (Remastered)” mutates from one moment to the next — sometimes in the space of just one song — the lustrous sounds and sky-high choruses mix perfectly with the weightless lyrics. As the album winds down and such greats as “Mr. Mustard” and the punk-ish “Polythene Pam” rage on, the band opt to go out on a positive and touching message that truly resonates. Overall, I understand now why many have said that there are the Beatles and then there is everyone else.

Check Out Abbey Road (Remastered) on Amazon.com

This whole album is a masterpiece. Nothing has been done before or since that can equal this one. Of course its been said a zillion times, but its really true. I bought it in Christmas back a few years ago (1997), and as I listened to it, it got better and better. For me, The Beatles (at first) took some time getting used too. Then they got stronger and stronger. On this record, they do almost the impossible. They create an entire magical fantasy. Its delishisouly (spelling?) sweet. The First Concept Album was indeed the finest. Everything works well with the concept. The album sleeve works better with the music than any I have seen. They help endear us to this wonderful world The Beatles are taking us too. At first I thought it was a bunch of hype, and the reason I bought it was because I was rapidly sinking (regressing, some of the younger people I know say) into the older music. I wanted Sgt Pepper cause everyone talked about it and had never heard it. This record will never be equalled, I fear. I wish it would, because I would love to do some more exploring. They took us on a Magical Mystery Tour on this one. Ironic, they did exactly that on this record, and though it was a concept album I don’t think it was their intention, and then they made a concept movie with this in mind, and they didn’t do that well (for The Beatles). If you want a record like no other, go out and buy this right now. Another great record that came out the same year is The Doors (debut). If it weren’t for this, that would easily be the best for that year. But Sgt. Pepper’s Lonely Hearts Club Band (Remastered) has surpassed all others. The Beatles never were able to do it again. They did get it in isolated moments, but never for the whole record like on this. No one else has ever come close. This deserves all the acclaim it gets.

As far as personal favorites go, however, I still enjoy the White Album the most. Rubber Soul and Revolver are good also (Rubber Soul is better than Revolver, tho’ Revolver is more of a break thru). YOu could see the dircetion they were going with a few of the songs off Help! Some of that material is on level with Rubber Soul. Abbey Road, which I didn’t care much for now, I really enjoy now. Sgt Pepper, however, is the cultural milestone to end all cultural milestones.

Check Out Sgt. Pepper’s Lonely Hearts Club Band (Remastered) on Amazon.com

The Beatles were a English rock and pop group formed in Liverpool in 1960 who became one of the most commercially successful and critically acclaimed bands in the history of popular music. During their years of stardom, the band consisted of John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar, vocals) and Ringo Starr (drums, vocals). Although their initial musical style was rooted in 1950s rock and roll and skiffle, the group worked with different musical genres, ranging from Tin Pan Alley to psychedelic rock. Their clothes, style and statements made them trend-setters, while their growing social awareness saw their influence extend into the social and cultural revolutions of the 1960s.

Returning to Liverpool following periods of Hamburg residency during 1960, 1961 and 1962, the group appointed Brian Epstein manager, and he negotiated a record contract with EMI’s George Martin; Epstein would manage the band until his death in 1967, and Martin produced all but one of the group’s studio albums. The single “Please Please Me” achieved UK chart success in late 1962. The group attracted fervent interest, termed “Beatlemania”, during tours of the UK and Europe throughout the next year. “I Want to Hold Your Hand” found U.S. chart success at the close of 1963, spearheading the group’s international popularity, and they toured the U.S. and other countries over the next three years. During this period, Lennon, McCartney, Harrison and Starr were each honoured with an MBE. In 1966 the group found themselves mired in controversy, including widespread antipathy in the U.S. after a magazine published a quote from Lennon’s remarks on Christianity. They ceased to perform commercial concerts after the 1966 U.S. tour, concentrating instead on studio work and enjoying continued international chart success. In 1967 the group met Maharishi Mahesh Yogi, who introduced them to Transcendental Meditation. The same year, Epstein died from an overdose of a prescription drug. The group spent time in India, treating the Maharishi as their guru for a short time, but became disillusioned with him. Increasingly dominated by conflict, and further alienated from one another by a disagreement about the appointment of a new financial adviser, the group disintegrated in 1970. All four members embarked upon successful solo careers.

The Beatles sold between 600 million and one billion records internationally. In the United Kingdom they released more than 40 different singles, albums, and EPs that reached number one, earning more number one albums (15) than any other group in UK chart history. According to the Recording Industry Association of America, they have sold more albums in the United States than any other artist. In 2004, Rolling Stone magazine ranked them number one in its list of 100 Greatest Artists of All Time, and four of their albums appeared in the top ten of the magazine’s 500 Greatest Albums of All Time list. According to that same magazine, The Beatles‘ innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today. In 2008, Billboard magazine released a list of top-selling Hot 100 artists to celebrate the chart’s fiftieth anniversary, with The Beatles at #1.The Beatles were collectively included in Time magazine’s list of The Most Important People of the 20th Century.

Formation
In March 1957, John Lennon formed a skiffle group called The Quarrymen. In July of the same year, Lennon met Paul McCartney, who agreed to join as a guitarist. McCartney invited George Harrison to watch the group during February 1958, and Harrison joined as lead guitarist.The group’s drummer, Colin Hanton, left in 1959, after which they had difficulty finding a permanent replacement. Stuart Sutcliffe, a fellow student of Lennon’s at the Liverpool College of Art, joined on bass in January 1960. During the year they went through a succession of name-changes. Sutcliffe suggested “The Beetles” as a tribute to Buddy Holly and The Crickets, and for the first few months of 1960 they were known as “The Beatals”.Other names included “Johnny and the Moondogs”, “Long John and The Beetles” and “The Silver Beatles”. The band finally became “The Beatles” in August 1960.The lack of a permanent drummer posed a problem when the group’s unofficial manager Allan Williams booked them to perform as resident band for a period in Hamburg, West Germany.